Baseball in the Middle of Everywhere
A week ago I finished Methland: The Death and Life of an American Small Town, Nick Reding’s account of life in Oelwein, Iowa, in the first years of this century. This morning I finished The Summer of Beer and Whiskey: How Brewers, Barkeeps, Rowdies, Immigrants, and a Wild Pennant Fight Made Baseball America’s Game, Edward Achorn’s account of the 1883 season in the American Association.
What next? Why not combine the two themes? A book that recounts a season of baseball in Iowa in the early years of this century would be in order. And what do you know? Such a book appeared five weeks ago: Lucas Mann’s Class A: Baseball in the Middle of Everywhere. Perfect timing. I’m now a few pages into it.
I learned about the book last month at the Harper’s blog, where Jeffery Gleaves had six questions for Mann. (A week later, the NYT ran its own online Mann interview.) Of course, the book isn’t simply about baseball. It’s about life in Clinton, Iowa, and about the author’s own travails. Here’s the blurb:
An unforgettable chronicle of a year of minor-league baseball in a small Iowa town that follows not only the travails of the players of the Clinton LumberKings but also the lives of their dedicated fans and of the town itself.
Award-winning essayist Lucas Mann delivers a powerful debut in his telling of the story of the 2010 season of the Clinton LumberKings. Along the Mississippi River, in a Depression-era stadium, young prospects from all over the world compete for a chance to move up through the baseball ranks to the major leagues. Their coaches, some of whom have spent nearly half a century in the game, watch from the dugout. In the bleachers, local fans call out from the same seats they’ve occupied year after year. And in the distance, smoke rises from the largest remaining factory in a town that once had more millionaires per capita than any other in America.
Mann turns his eye on the players, the coaches, the fans, the radio announcer, the town, and finally on himself, a young man raised on baseball, driven to know what still draws him to the stadium. His voice is as fresh and funny as it is poignant, illuminating both the small triumphs and the harsh realities of minor-league ball. Part sports story, part cultural exploration, part memoir, Class A is a moving and unique study of why we play, why we watch, and why we remember.
In the Harper’s interview, Gleaves asks, “Why not write this book as pure journalism? Why insert your own story?” To which Mann replies:
So much of how I write is wrapped up in voice. I write personally; that’s how it comes out. I like essays and nonfiction that try to do a lot of things at once, that investigate and report on subjects but never shy away from showing how all that observation affects them. I’m terrified of omniscience, both as a writer and a reader. Lawrence Weschler, the great New Yorker writer, has a quote along the lines of, “I like to insert a strong I into what I’m writing not out of some sense of egomania, but precisely the opposite.” I agree with that. I don’t have the hubris to traditionally report on something, then step back, remove my personality, biases, memories, and screw-ups, and speak with authority. I’m the neurotic, often-confused dude who is trying to figure out why all this stuff is important to him, and that crucial, intimate honesty isn’t something I’d ever want to remove from the work.
Mann’s bleak description of Clinton in the opening pages is redolent of Methland‘s Oelwein and Ottumwa, Iowa.
At the turn of the twentieth century, Clinton was the center of a lumber empire. Millionaires were made here. … Though the industry and its spoils have long since disappeared, some mansions are still here. …
A lot of things are gone. Things downtown closed; some collapsed. Things burned. In 1968 the sociopathic hippie son of a local businessman set fire to nine buildings …
That hippie boy set the most famous fires, but not the last ones. Fans have told me that it feels as if something were always aflame now. When buildings are old, when nobody’s watching, anything can be tinder. Some of the fires are on YouTube. The dilapidated apartment with the mother and her two toddlers inside. The ancient white house without smoke detectors. The Lutheran church with flames dancing in the stained-glass windows. Old homes with no life in them, no care for them, so eventually they burn. …
… Allied Steel, back when steel, along with paper, along with wood, along with plastic, along with corn, catalyzed the town. But Allied left with a lot of other businesses, and left behind 100,000 tons of coal tar blocks down from the riverfront stadium, not cleaned for decades.
As for the baseball, two players have been introduced so far: shortstop Nick Franklin, of whom great things are anticipated, and Nicaraguan pitcher Erasmo Ramirez. Clinton is a Mariner farm team, and Franklin was big news here in Seattle two weeks ago when he was called up to the majors for the first time to replace one-time-can’t-miss second baseman Dustin Ackley (the second overall selection in the 2009 draft, behind Stephen Strasburg). In his fourth game, Franklin hit two home runs. Ramirez also made it to the majors, pitching in 16 games for the Mariners last year with mixed success, but is back in Triple-A Tacoma this season.
I don’t yet know what to expect from the book. And I’m not yet committed, having downloaded only the free opening pages to my Kindle. I suspect I’ll keep going. Certainly Boston Globe reviewer Adam Langer would have me do so:
Watching Clinton’s star pitcher, Erasmo Ramirez, strike out 12 on the road in Quad Cities, Mann wryly notes that the performance was watched by more people than will ever watch Mann do anything.
But he is being overly modest. For if there’s one surefire big-league prospect among the has-beens, might-bes, and never-will-bes who populate this memoir, it’s Mann himself who, in his first trip to the plate, knocks it out of the park.
The fate of most writers may ultimately be not all that different from that of most ballplayers. Decades from now, the vast majority of the names currently seen on the spines of books will probably seem as unfamiliar as those found in a pack of random 2013 baseball cards. But I’d be willing to wager that Lucas Mann is one of the names that will endure.